Laura Marling - Song for our Daughter - 9/10
There can be no doubt
that Laura Marling is both a hugely talented and prolific artist. Over the six
albums she has released to date, the 30 year old singer songwriter has developed
her craft of creating haunting and delicate ballads.
Her seventh
release, ’Song for our Daughter’, was brought forward in response to the
lockdown imposed in response to the Corona Virus with Marling commenting “I
saw no reason to hold back on something that, at the very least, might
entertain, and at its best, provide some sense of union”. She further
explained that these songs are a collection inspired by an imaginary daughter
and the advice and guidance she would give her.
It is a breathtaking
collection of songs and arguably her second masterpiece with the quality and
breadth standing up to her first – the 2010 record ‘I Speak Because
I Can’. All of Marling’s releases to date have been strong examples of her song
writing and grasp of melody but these two records are truly her finest moments.
Opener ‘Alexandra’
lays out the manifesto for the album with a rolling acoustic guitar the soundtrack
to a song that lyrically pays tribute to Leonard Cohen’s ‘Suzanne’ with
lines such as “Alexandra had no fears, lived out in the woods, she’d tell
you what you’re doing wrong if she thinks she’ll be understood”. Lead
single ‘Held Down’ is one of Marling’s finest songs to date with the
combination of her despairing lead vocal and the angelic rising backing vocals
creating a truly stunning atmosphere.
Marling has clearly
been influenced by the great and good of singer songwriters and it is when her
songs wear these influences proudly that gives this record some of its strongest moments. ‘Graceland’ era Paul Simon rhythms power along the
highly enjoyable ‘Strange Girl’. The stirring Leonard Cohen-esque marriage
of gently plucked guitar and poetic lyrics can be found on the sumptuous ballad
‘Fortune’. Perhaps the clearest influence on Marling’s songwriting here
is the work of Joni Mitchell. Never has Marling sounded more in debt to
Mitchell than she does on the piano ballad ‘Blow by Blow’ and yet,
although the influence is clear, Marling cleverly weaves it in to her own style and creates something beautiful
and original.
Title track ‘Song
for our Daughter’ is a message of guidance and warning to an imaginary
daughter. “Lately I’ve been thinking of our daughter growing old and all of
the bullshit she may be told” Marling sings wearily. It is a well written
song that highlights the struggles Marling herself has encountered and so desperately
does not wish to see her own daughter experience.
‘The End of the Affair’ is so well composed that, upon its conclusion, it is hard to reason
why this was not chosen as the album closer. That feeling remains until you
hear the actual closing track, ‘For You’, which redeploys the harmonious
backing vocals with a stunning guitar and accordion solo to create a melodic
and pleasing conclusion.
Although the
majority of the lyrical content here fits more closely with the ground
Marling has previously tread, namely telling tales of romance and heartache,
than it does with parental guidance for an imaginary daughter, it does not
affect the listening experience. Marling has proven that she is a voice of
our times and this is truly a masterpiece for the lockdown listener to enjoy!
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