Ten Years Ago: The Black Keys - Brothers
In the 'Ten Years Ago' series, we take a look back at the ten most brilliant releases of
2010 which are celebrating their first decade this year. First up is the
legendary ‘Brothers’ album from the Black Keys.
‘Brothers’ was
the catalyst that transported the Black Keys from obscurity to becoming one of
the world’s biggest bands.
Dan Auerbach and
Patrick Carney had being recording and releasing a series of excellent DIY
records since the early noughties, with their take on distorted guitar driven
garage rock and blues receiving critical acclaim (if not huge commercial
success). Each subsequent release saw the pair hone and polish their minimalist
and authentic approach and it was the collaboration with producer Danger Mouse (on
2008 release ‘Attack and Release’) that laid out the blueprint for what
the Black Keys were capable of.
‘Brothers’
was released ten years ago and, not only was it one of the finest
records released that year, but it has aged beautifully. The 15 song
collection, which again saw them team up with Danger Mouse on production
duties, saw the Black Keys take all the ingredients of their sound (distortion
driven guitar licks, raw vocals and wild drums) and blend them together with a
broader instrumental range and cleaner production to create something smoother and
moodier.
So what are the
ingredients that make ‘Brothers’ such a classic?
Firstly the album
was launched with one hell of a lead single. ‘Tighten Up’ takes off with an ice cold whistled riff over a
stabbing rhythm guitar before transcending into a song so instantly memorable
that it feels like a classic you’ve known forever. Combining their
signature sound with a radio friendly anthem was the first step to taking both
the Black Keys and ‘Brothers’ to legendary status.
As important to the
success of the record was the superb production duties performed by the
legendary Danger Mouse. Recording the group in a studio and broadening their
musical horizons created a sound that felt instantly more accessible without
losing its authenticity. For a band that had forged a sound in basement
recordings and to whom authenticity is key, this could have been a difficult
hurdle to leap. And yet, whilst the collection is smoother and more complex
than previous recordings, songs such as the brooding and bluesy ‘Ten Cent
Pistol’ or the downright mean stomp of ‘Sinister Kid’ found them sounding
as raw as ever and not reliant on any excess fat!
Perhaps the biggest
change was the confidence of the band themselves. The willingness to try new
things and write about broader subject matters worked wonders for them and the
song writing was a varied as it was self-assured. Whether it was songs about
troublesome exes (‘Next Girl’) or passionate love (‘Howlin for You’),
the songs felt buoyant and poised. Here the band also tackled more sensitive
subject matters such as bereavement (‘Unknown Brother’) or
self-reflection (on beautiful album closer ‘These Days’) with delicacy and
still created music that possessed melody and soul by the bucketful.
Auerbach’s secret
weapon is a voice that leaps from rasping howl to tender falsetto and it’s the
latter that was scattered across this record to great effect. On opener ‘Everlasting
Light’ (perhaps one of the coolest love songs of all time!) he croons “let
me be your everlasting light, a sun when there is none” over a steam powered rhythm.
Carney’s role cannot be understated here either. His drumwork is sublime and
often takes a leading role such as on the spooky rattle of ‘The Only One’.
Lastly the record
had an aesthetic that matched the confidence and cool of its musical content. Drawing
clear inspiration from the minimalist font driven design on Howling Wolf’s ‘The
Howling Wolf Album’, the album’s front cover was a simple black background
with white lettering stating ‘This is an album by the Black Keys. The name
of the album is Brothers’.
‘Brothers’
was the moment the stars aligned for the Black Keys. Subsequent release ‘El
Camino’ (featuring lead single ‘Lonely Boy’) may have been the
moment that the band went stratospheric, but it was ‘Brothers’ and it’s
combination of authentic blues driven rock and roll with studio mastery and an
ice cold aesthetic that laid the groundwork. Play it now. Play it loud!
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